Clone and paint techniques allow you to replace logos, remove objects, and hide production mistakes. Paired with the planar tracker you get a powerful workflow to fix many shots.
Fusion Planar Tracker – Introduction and Advanced Tips
Track moving planes and corner position new elements. Handle reflections, occlusion, and more.
Color Matching in Fusion
Create interactive light effects in compositing with automated color matching. Use the match functions of the color corrector or the curves tool to get started or build an advanced solution with the probes modifier.
Curves Tool for Compositing
Use curves in Fusion for flexible color correction and compositing. Start by reproducing lift, gamma, gain changes in the curves tool and head on to foreground & background matching.
Compositing a Spaceship 5/5: Finishing Touches
Final adjustments to the shadows, adding a light wrap, edge blur, and stock effects to finish the shot.
Compositing a Spaceship 4/5: Multipass Composite
Bringing it all together in a multipass composite: background, shadows, ambient occlusion, specularity, motion blur and more.
Compositing a Spaceship 3/5: Planar Tracker & Paint
Use Planar Tracking in Fusion and Painting in Photoshop.
Compositing a Spaceship 2/5: Camera Track, Lighting, Animation
Use 3D camera tracking and lighting to match the scene and create 3D animation.
Compositing a Spaceship 1/5: 3D Model Import
Learn how to work with external models, textures, and animations.
Advanced Shadow Extraction from 3D Renderer
Extract a 2D shadow pass from 3D for 2d manipulation. Or project soft shadows back into a 3D scene for use with the OpenGL renderer.
Image Plane 3D vs Projectors – Bringing Images into 3D
Use Camera Projection, attach images to 3D objects or use Image Plane 3D. Learn about the differences and apply the correct method in DaVinci Resolve & Fusion.
Understanding Materials
Attach materials to your Text3d or load 3D Models with textures. Use Blinn, Phong, Cook-Torrance, Ward and more.
