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All other things being equal, which combination of pixel resolution and color subsampling would you prefer for keying?
You are able to pull a great matte. However, during playback you notice some jitters in the semitransparent edge pixels, even though things looked fine when you were looking at still frames. What could be a likely cause?
Can creating a clean plate with the clean plate tool help with tracking markers?
In the screen correction process, how did we obtain a solid mask from the foreground actor that did not include artifacts from the uneven background?
An advanced despill method should simulatneously take care of both general spill and edge spill.
What is the major difference of the processed Foreground Technique compared to other Keying Techniques
Do you believe the advertisement: The Delta Keyer is the only Keying tool you’ll ever need?
